Collector’s Edition (Limited to approx. 400 copies — 2022): (Thick Book) 5.25 x 8.5 inches. 448 pages. Hardbound 100pts, bound in Wintan Vintage Granite-colored Bonded leather. Gold foil blocking on rounded spine and Blind Deboss + Gold foil on the cover as well. B&W interior, with “Mid-Green” with Coltskin embossing Endpapers. Green & White Headbands. Fully Illustrated. Fine typography, printed on Munken Pure Smooth Cream 150gsm archive-quality paper. Comes with a carton-plate insert glued on the interior, individually hand-numbered, and signed by the author Shani Oates.
2 in stock
(Volume III of the Óðinn Trilogy within the Northern Otherworld Series)
by Shani Oates
Óðinn has been scandalised and deified in equal measure by medieval churchmen, demonising pre-Christian beliefs, and more recently by the romantic idealists and nationalists of the 20th Century, who glamorised them, to the extent that the genuine historical persona of this popular figure is saturated in complex, confusing mythology. Poetic kennings and riddles tease out our deductive processes, pushing beyond rational, logistic exploration to evoke our apprehension of the Other.
Yet the key to Óðinn’s real identity resides in the culture of the Scandinavian and Germanic peoples whose principle values, morals and ethics that maintained the health, welfare and well-being of the community, were in the gift of divinised spirits, ancestral and of the land or hearth. Óðinn, was never thus a ‘god’ of the people; conversely, he represented only the well-being of the lid or fyrd, a primary function for warriors as an elite cult. How that cult emerged, and from what sources and influences, is the quest this book seeks to fulfil.
Because those ideas and beliefs of the past were and are frequently altered to suit the needs of the present in which they are recorded and implemented, we must opt for genuine context rather than hyperbole. Spanning the Romanised Cults of Mercury and the Matrones and Slavic animisms, my research pushes past conventional boundaries into the totemic practises of Eurasian peoples while remaining faithfully aligned to stringent archaeological and anthropological discoveries.
These pages are nonetheless composed with passion, drama, heroism, romance and pathos.
We have so much to learn from distant, hidden voices whose words convey the values that relate to a different time, and of thoughts sculpted from the minds and skills of artisans and craftsmen whose incredible artefacts have much to teach us about tradition, ancestry, belief, sorcery and faith. Molded by politics and far-reaching world-turning events centred in trade and faith, Óðinn’s presence emerges from a surprising source that many will find challenging to the popular, but wholly false persona so familiar to us.